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Gladiator composer
Gladiator composer






gladiator composer

#Gladiator composer movie

Finally, I moved the whole studio to Disney's cutting rooms because being in the same space as the movie makes a difference and part of what I should do is try to inspire the production. For instance, on "Pirates 3," a lot of the music was written while Gore was shooting or before he went off shooting the movie. It's a complete hodgepodge of ways of sneaking up on the beast. You grab a fragment of something to start an idea with tiny ideas. The movie shapes itself through these conversations.ĬNN: Which comes first, the music or the film? I love speaking with the editors, hanging out with the director and whoever. Most of my ideas are terrible and occasionally there's a glimmer of hope and a decent tune comes out but to make a movie you have to rely very heavily on the creative input of everyone else. This usually doesn't happen, so it's a whole industry based on the fallacy that we, the filmmakers, will actually come up with some good ideas and meet our deadlines, when really we sit in our rooms by ourselves and knock our heads against the wall until something happens. Hans Zimmer: It's an industry that relies so heavily on the idea that I will wake up tomorrow morning with a great tune in my head. That led to a job with Myers on Nic Roeg's epic "Eureka" - and the rest is film history.ĬNN's The Screening Room talked to him about the magic that music can bring to the movies.ĬNN: What is the reality behind the glamour of working as a film composer? He worked as an assistant to film composer Stanley Myers in London where he learnt "how to wrestle an orchestra to the ground" while making the coffee. While Timon and Pumbaa ( Nathan Lane and Ernie Sabella) might have more song-and-dance experience than Juba and Hagen ( Djimon Hounsou and Ralf Möller), these loyal comrades both follow their new friend into battle.Nominated for an Oscar seven times (he won for 1995's "The Lion King"), Zimmer had just two weeks of formal music lessons as a child. Out of exile and loss, Simba and Maximus encounter brand new friends.

gladiator composer

They feel that they have been cheated of power, and resort to murder and lies in order obtain what they want. Simba has been trained by his father ( James Earl Jones) to one day defend Pride Rock as its king, and it is the wish of Emperor Marcus Aurelius ( Richard Harris) that Maximus lead and save Rome, but Simba and Maximus also have Scar ( Jeremy Irons) and Commodus ( Joaquin Phoenix).

gladiator composer

Simba ( Matthew Broderick, Jonathan Taylor Thomas) and Maximus ( Russell Crowe) both know the plight of being torn from their family and home. The worth of his music, obviously, goes far beyond what a few award shows say, but to celebrate his birthday today, we’re going to take a dive into those extra special wins and see how the films complement each other to create a very Hans Zimmer movie night in.ĭisney’s animated masterpiece, The Lion King (1994, directed by Roger Allers and Rob Minkoff), and the gorgeous, violent, historical epic, Gladiator (2000, directed by Ridley Scott) are certainly not without their common threads. He’s basically the Martin Scorsese of film-composing in that his accolade numbers are but a few grains of sand compared to the enormity of his artistic contributions. His audible footprint is on some of the biggest films of all time, but despite his vast recognition (a 40-year-career of over 150 films), he’s only received 1 Academy Award and 2 Golden Globe wins. Like John Williams and Ludwig von Beethoven, it’s hard to hear his name without being pulled into a memory of music. They are gorgeously personal, massively epic, and a key reason that the movie-going experience is so captivating and transportive. From family films and battle dramas, to superheroes and galactic voyages, his original scores have been everywhere. Hans Zimmer is one of the most celebrated composers on the planet.








Gladiator composer