Additionally, in some cases the in-game camera experienced a sort of focus-shift. One set of puzzles reduces to "find the grey square against a backdrop of grey stones" which is certainly a kind of puzzle but it is also a kind of torture. Some (minor) complaints: While the overall quality of graphics is fine for this sort of game (those of us who have played 'Myst' tend to have very low standards for modern graphics), at times the quality and color grading inhibited smooth playability. Overall it provided 10 hours of enjoyment for myself and a group of friends who watched over Discord. Some of these types of games can very easily be a puzzle game with forgettable story/lore slapped on post hoc - this was certainly not one of those. Interesting story, nothing fancy but enough to keep me interested. Its point-click modality has the charm of 'Myst' and Myst-like games of the past. This game is like a slightly more difficult version of the 'The Room' games with greater emphasis on environmental puzzles than manipulating inventory items. Bottom line up front: I greatly, greatly enjoyed this game and would highly recommend it to anyone who has enjoyed 'Myst' and Myst-like games with an inventory system (e.g. ^ "The Eyes Of Ara Is Like An Aussie Take On Myst".^ a b "Myst-like adventure puzzle game The Eyes of Ara out now"."The Eyes of Ara: An Enthralling Mystery from a One Man Team". ^ 100 Stones Interactive (), The Eyes of Ara - Dev Diary 03: Environment Art Pipeline, retrieved.^ a b 100 Stones Interactive (), The Eyes of Ara - Dev Diary 02 (part 2 of 2), retrieved.^ a b 100 Stones Interactive (), The Eyes of Ara - Dev Diary 02 (part 1 of 2), retrieved.^ 100 Stones Interactive (), The Eyes of Ara - Dev Diary 01, retrieved.
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PC Powerplay reviewer Meghann O'Neil noted that if it weren't part of her job, she wouldn't have had the time to sit down quietly and just listen, touch, read and explore, and she was grateful for the experience.
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Just Adventure felt that despite the obscurity and difficulty of the puzzles and narrative, it was well-made and of a professional quality.
Kotaku noted that it was essentially an "Aussie take on Myst". PC Gamer's Joe Donnelly noted that after the opening few screens, the puzzle become extremely difficult, but chose to persevere due to enjoying the game. Critical reception Īdventure Gamers praised the game for achieving an "extreme sense of pervasive isolation". The player stumbles upon a medieval style castle, and begins to explore the rooms to uncover its secrets. It’s almost all incomplete information and sometimes even contradictory.” Release So all of the little bits of lore scattered around are designed to add to the overall story and history, but also give varying accounts of it. The complexity and ambiguity picked up by IGN was addressed by Droste in an interview: " is the untrustworthiness of incomplete information and the importance of seeking out the truth. He later maps the puzzle out in a 3D space. Droste begins designing a level with pen and paper, marking out all the puzzles, secrets, and a proposed progression through the room he may also look out for a physical feature that may make the room fit a puzzle he has previously designed. turning a wheel or pulling a lever rather than clicking on it. In addition, players have to realistically interact with tools in order to use them e.g. There is much interactively with the game world beyond items required to progress in the story clicking on items like walls and chairs reveal sound effects like taps and knocks, accompanied by a visual spurt of dust, thereby adding life and age to the space. In contrast, Droste's design is more open ended and non-linear. In escape the room types of games, players are either: physically confined (due to doors being locked) or alternatively confined (because there is nothing else to do in the chapter). The game was built using the Unit圓D game engine. Design ĭroste wanted to make a game in which the environment was the central character, through a narrative technique known as environmental storytelling. He was inspired by games like Myst, in the sense of a being a character dropped into a strange world, not knowing why they were there or what was going on, and to start exploring and discovering in addition he enjoyed how the game had no jumping or running or action. Development Conception ĭroste is a Senior 3D Environment Artist and Level Designer, and was in the Australian gaming industry for ten years before making this game.
The Eyes of Ara is a 2016 adventure game developed by the Brisbane-based, one-man independent games studio 100 Stones Interactive, founded by Ben Droste.
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